Ozella Music    Streif : Nordic Winter (N,2006)**°'

This is not the kind of Fusion, -which I expected at first-, that describes Nordic winters. Instead of being confronted with nature and cold, for most of the album this is more like Christmas present music in front of the herd looking for comfort and tunes, and with the snowfall as a beautiful white colouring, safely away from confrontations outside. Never the less the CD starts and ends with a melancholic and promising Fusion improvisation, with on the opener, “Estlandsk Vuggevise”, also some electric guitar making deep emotional sounds which, like a cold wind, penetrate deep into a landscape. But then the band quickly closes itself in into a warm house, playing 7 folklore traditionals from Scandinavian, Balkan and klezmer origin. On “Brudersang Fra Solor” the music is calmly spinning, and still with fusion elements, all the tracks from then on are packed in very recognisable folk melodies, with the 8th track, "Hjemlandsklokker" being rather melancholic at first, but also some rock and jazz element.

Audio : short audio tracks on http://www.weltbild.de/...
Label info : http://www.ozellamusic.com/oz015cd.html
German reviews : http://www.nordische-musik.de/1821-Streif.html?PHPSESSID=%3E &
http://www.gmx.net/de/themen/unterhaltung/musik/neu-auf-cd/3333782.html &
http://www.familie-im-web.de/familie/cybermusik/jazz/2006/streif_nordic_winter.html
Ozella MusicKarl Seglem : Urbs (N,2007)****

In a way like Peter Gabriel's World Music label, Real World, in the nineties started to mix world music with well produced modern rhythms, Karl Seglem had the opportunity to have a more logical experience of a combination of the best of an urban and country life, in a village surrounded by mountains, while growing up with folk music, but also with jazz and more modern approaches. He himself played goat horns amongst sax instruments and started to discover what you can do with electronica. This release, with the help of many more musicians illustrates with this release how this combination has developed his personal fusion style, whether there are used folklore themes or instruments (like the hardanger fiddle on “Vridd” or some baglava on “Fossil”), or jazz improvisations, or an electronically produced environment (“Over Oslo”), or colourful rhythms, or a (progressively sounding) rock element (on “Urbs”), each of these improvisations and combinations used are always expressed as a perfect mix of these worlds. It is as if nature watches over the city as the source of origins, and the modern world has made it perfectly consumable to a beautiful and vivid form. Well done.

Audio : on http://www.norcd.musiconline.no/...
or on http://www.musicfromnorway.com/...
Homepage : http://www.norcd.no/seglem/
Info on release : http://www.ozellamusic.com/shop.html#karl
Ozella MusicKarl Seglem : Reik / Stirred (N,2005)****

Like several far north artists, Karl Seglem, with his tenor sax, goat horn, loops and electronics, with additional electronics by Reidar Skar, paints the general space and environment of his homeland, as a somewhat deserted but not empty space, with a fresh coldness, while Harald Skullerud, especially on “Reik” makes the music sound like a Nordic Tribal music form, and while Nikolai Ivanov with his tambura and guitars adds warmth from home with his wood, with fire. The paintings become, with this combination of musicians, this way, like vivid instrumentals, with a more colourful, and a wider open-to-the-world perspective, as if it’s an example of inner peace and meditation that is even more vivid and complete by more varied interactive elements and differences in characters and backgrounds, when this inner piece is shared by each member and is transformed by merging musical communicative ideas. The lonely mood of Karl Seglem’s improvisations, have a warmth as result of the complete sound thus accomplished. "Prayer Song" I think is based upon a Turkish melody, a track by the guitarist.

Audio : "Reik","Omkrins","Prayer Song" & http://www.cdbaby.com/cd/karlseglem2
& http://www.cdbaby.com/cd/karlseglem2
Homepage : http://www.norcd.no/seglem/
Info on release : http://www.norcd.no/pages/seglem.html & (in German) :
http://www.familie-im-web.de/familie/cybermusik/jazz/2005/karl_seglem_reik.html
German review : http://www.folker.de/200506/rezi-eu.htm next->
Cope Records       John Sund & Acoustic Sense : New Gems (DK,2003)****

Acoustic guitar master John Sund leads this all-acoustic Fusion group with some members contributing in various ways with their own backgrounds. Ghanian Ayi Solomon for instance, plays on all kind of handpercussion instruments like udu, shells, berimbau, djembe. He follows mostly the jazz-line, but he gives it extra exotic touches inspired from different origins. One track, “Pulse Chant” (Bushman’s Cry) is a co-composition with African roots, with an acoustic guitar and footstep arrangement by John Sund.  The Serbian accordion player Lelo Nika, has a background in Gypsy music, but, like Ayi Solomon succeeds to focus this completely into jazz fusion territories. He adds melodic interwoven worlds into the compositions. Swedish cellist John Ehde, has a classical background but is able to improvise perfectly and smoothly along. One seagull-like cello improvisation seems to be derived from an idea from another John Sund composition. Thommy Anderson plays acoustic bass on 5 of the 12 tracks, while Yadam Gonzalez as a guest player plays acoustic bass on the first track.
Overall the compositions are melodically rich. They’re not just lead overall by the acoustic guitar, because all instruments share their part in building up the composition. Here and there a more open crafty evolution, but mostly it is the compositional forces coming from one or more instruments which lead logically into compositions. A fine jazzfusion release with an all-world music open attitude.

Info : www.johnsund.dk & (with audio) http://www.acousticsense.com/
Other audio page : http://www.musik.dk/4198?artistid=6796
Label entry : http://www.coperecords.com/artists/johnsund.htm
Side-Project of "World On A String" is reviewed on http://psychevanhetfolk.homestead.com/WORLD.html#anchor_54
(MOSTLY ACOUSTIC) FUSION ARTISTS :

Go to review page 2->




Ozella Music  Karl Seglem : New North  (N,2004)**°'

One must have little imagination, when you don't feel at least something of the wide open spaces of Nordic landscapes, which are recalled by the calm tenor sax (or goat horns) of Karl Seglem, smoothly accompanied and co-arranged by other fusion instruments and ideas. This could easily fit and contribute with some of the more know Nordic ECM recordings (and it is particularely recommended to those who already liked the most smooth of these recordings). There are no particular space-effects ever, but a calmness in evolution which makes this association possible. The more song orientated tracks with Odd Nordstoga have a bit more urban art-progpop effect and mood. A few other songs are folk-flavoured ("Med Jesus Vil Eg Fara"-traditional, or "Sullan Lullan"-traditional) and are with the nice voice of Berit Opheim.

Info : http://www.ozellamusic.com/oz006cd.html
Soundfiles : http://www.musicline.de/de/product/4038952000065
Info : http://www.norcd.no/pages/seglem.html
http://www.norway.org.uk/culture/music/seglem.htm
http://www.kulturmeglerne.no/kulturmeglerne/views/1216next->
NorCDKarl Seglem : Femstein  (N,2004)****

This is a strong change for Karl Seglem. First of all he has formed a strong accomplished band with an original sound consisting of Hakon Hogemo, hardanger fiddle, Gjermound Silset, electric bass and double bass, ebow, Elge A. Norbakken, drums and percussion while Karl Seglem plays tenor sax and goathorns. The music uses one fundament of folk, which is only partly Nordic folk because in reality it is a very original all-world ethnofolk cocktail, which has very dynamic sounds and can stand strongly against other, popular, folkrock bands in Norway and Sweden with their strong folkrock sound (just listen to "Blaa Botn" to give an idea). What makes their approach even better is a wider musical interest underneath this background. When Karll has solo fragments the improvisational elements become jazz but always leans as much on the crossover folk style accompaniment. Some parts and themes are worked out with group improvisation. A couple of tracks also have some modern touches in rhythms and looped studio sounds still based upon the acoustic progression (like on “Baal” and “Urein”). Just a few tracks, like “Ut” have more quiet evolutions, like we know from Karl’s earlier release. The track “Roersle” is another example of unusual sounds, very modern this time, but still originally made with ethnical instruments and sounds, a reflection wink to old shamanic sounds, for our new dynamic world. Very good ! And recommended to those who like the better Nordic folkrock bands in an adventurous but pleasant new blend.

Info on release : http://www.norcd.no/pages/seglem.html
More audio fragments : http://www.mic.musikkonline.no/shop/displayAlbum.asp?id=28915
or http://www.norcd.musiconline.no/shop/displayAlbum.asp?id=28915&cid=&sid=
Info on Seglem : http://www.cuberoots.com/feature.php?FeatureNo=6
Article on Karl : http://www.norcd.no/seglem/ & http://www.mic.no/mic.nsf/home/..
& http://www.mic.no/mic.nsf/home/.. and interview on http://www.ballade.no/...                 next->
Ozella Music    Shunsuke Mizuno : Slow Time (JAP,2004)****

This is an unusual kind of jazz, firstly in its mentality, led by 5-string wood double bass player Shunsuke Mizuno. I've never had such a meditative feeling with jazz and fusion as I do here, especially on the tracks without piano, because the piano gives the music a different simple melancholy. All tracks with the harp-with-acoustic-guitar-like additional 22-string koto by Miwa Inaba give them a kind of beautiful fusion I also have not heard before. I think Miwa's playing is unusual. On "Rain in the Distance", the first track, the tune almost sounds Celtic.
On a few tracks we hear a few additional instruments, like (simple romantic) piano, by Shigeru Sawamura, acoustic guitar by Hiroki Miyano, harmonica, by Chikara Tsuzuki, tan-kin (a charcoal instrument) (?), hitiriki, played by Aya Motohashi and on many places sparse percussion by Ryo Watanabe.
Shunsuke Mizuno seems also to led an interesting new acoustic (world crossover) Japanese music label called OCM Records. His motto is to heal the heart with music. In many tracks here this is entirely successful. A few other tracks give me certain sadness. I have this also on the last track, "Beech Forest" especially because of the sound of the hitiriki combined with piano, but at the same time it reflects beauty.

PS. I heard afterwards this release was a compilation of the last 6 releases on the OCM records label from Shunsuke : http://www.iris.dti.ne.jp/%7Emizunos/

Info on release : http://www.dagobertboehm.de/ozellamusic.com/oz007cd.html &
German review : http://www.heft.de/platten/slowtime.html
Review of group : http://festival2003.oneworldbeat.org/pages/homepage/tokyo.htm
Info on Mizuno : http://www.iris.dti.ne.jp/~mizunos/profile-e.html
& http://www.ozellamusic.com/shunsuke_mizuno.html

Info on hichiriki : http://jtrad.columbia.jp/eng/i_hichiriki.html
& http://www.hogaku.it/strumenti/hichiriki.html
Info on Gagaku, or Japanese court music and the place of the hitiriki or hichiriki flute in it : "it is a reed instrument with a short bamboo pipe. It plays the main melody in Gagaku, with its big and deep *tone" (one could perhaps beeter say 'nasal' tone)
http://www.dynagong.com/eg.htm & http://tengaku.konko.jp/english/einstrument.htm
Silence Rec.Hepa Halme Prospekt : Nine Steps in line of Beauty (FIN,2001)****
-variations, improvisations & meditations on a theme by Ornette Coleman-

Flute, sax (and clarinet) player Hepa Halme has delivered here a brilliant, peaceful, modern fusion item based upon one theme by Cornette Coleman, partly improvised, often meditative, in one track slightly experimenting, but always with ambient-like bright sound evolutions. It is his first solo album after a 25 year career of cooperations. This gave Hepa time to develop his own understanding, seemingly with an inner quiet nature. He chose also people who are well prepared to work on these ideas. It is not just a retrospective jazz fusion, but much more like new music, with all kinds of moody modern rhythms (programming), spacey bass, with both minimal and complex elements in the same mode of creating spacey structures with a clear development. Highly recommended !

Audio : "Step II", "Step IV"
Info : http://www.wolfgangrecords.com/files/labels/silence/artists/hepa/hepa.htm
German review : http://www.nordische-musik.de/musiker.php?id_musiker=416

Additional info : This Prospekt group consists of Thelo Majamäki, percussion and Heikki Savolainen, percussion & programming, for “Step I” and “Step IX”, Jarmo Saari, guitars, theremin, programming, Teppo Mäkynen, programming and scratches, for “Step II”, Topo Isopuro, koto and percussion, for “Step III”, and tempura, koto, synth and percussion for “Step VII” Miika Paatelainen, guitar and bass, Janne Haavisto, percussion and synthesizer, for “Step IV”, Abdissa Mamba Assefa, percussion for “Step IV,V,VI”, Seppo Kantonen, piano, Samuli Kosminin, samples and percussion for “Step V,VI” and Karri Koivukoski, viola for “Step VIII”.
Ozella Music       Hands On Strings : Offroad (D,2006)****

Very sophisticated, lyrical fusion guitar playing, with a light and soft  virtuosity, with compositional harmonies on two guitars at once. Both guitarist play as if they are just one person, with 4 hands and two guitars. On "Childhood dream" some friendly child voices participate, while the melody is light and bright. On “Zulu” the second guitar plays a part while imitating a marimba. All inventiveness is played with such a light and natural feeling it almost sounds easy. Briliant.

Audio : "Offroad" & http://www.emusic.com/artist/11642/11642621.html &
& http://www.musicline.de/de/product/4038952000126
& http://www.tunetribe.com/Album?album_id=346383
& http://www.cdbaby.com/cd/handsonstrings
Label entry : http://www.ozellamusic.com/oz012cd.htm
Homepage : http://www.handsonstrings.de/
Other reviews : (with audio) http://www.guitar9.com/offroad.html
& http://www.xs4all.nl/%7Eguitars/divergence.html
German review : http://www.br-online.de/kultur-szene/klassik/pages/cdtipps/cd20060313.html
Map Rec.       Didier François & Alicantes (B,2000)***°

Didier François is a renowned Belgian folkfusion violin and nyckelharpa player. He also released some albums with electric violin playing in the direction of a calm Stéphane Grappelli. The music on this album is more fusion than folk, with a simple but professional sound and for the Belgium scene a distinctive style, often somewhat improvised and with a calm nature.

Participating musicians were Luc Thijs : didgeridoo, Luc De Cock : percussion, Julien Biget : guitar, hawaiin guitar, mandocello, Didier François : violin, electric violin, nyckelharpa, Gilles Chabenat : hurdy gurdy (4), Philipe Masure : bouzouki (1,5), Pierre Rigopoulos : zarb, udu drum (2,7), Michel Van Achter : recording & mixing.

Audio : "un sale petit bruit de poussière","sauve-toi... vas-t'en..."
Homepage : http://www.didierfrancois.be/
Biography : http://www.didierfrancois.be/Bio.htm
Dutch review : http://www.ipem.ugent.be/ov/pers/00combnft.htm
Other reviews (Dutch and French) : http://www.didierfrancois.be/presskit.htm

New 2007 release is reviewed on http://www.psychedelicfolk.com/belgium2.html#anchor_109
Circular Rec.  Scottish guitar Quartet : Fait Accompli (UK,2002)****

This Fusion guitar quartet, consisting of Ged Brockie, Nigel Clark, Malcolm MacFarlane and Kevin MacKenzie, play like one entity. They composed and play guitar pieces rooted in a classical guitar style, fluidly played like jazz with a Latin-like warmth. The pieces are played like with 4 to 8 hands and with three to four guitars, with evocative breathing melodies making a synthesis of a melody, broken into different interwoven sections for the different guitars and interpreters. The cooperation works so perfectly the complexity all sounds so simple and full of clarity, as a simple but detailed and refined expression of one man, which is in fact a whole group of contributors with their own ideas and backgrounds. Highly enjoyable and sophisticated.

Audio : "The Romance Within You", "Fait Accompli", "Dance Of The Gypsy King"
& http://cdbaby.com/cd/sgq3
Homepage : http://scottishguitarquartet.com
Info : http://www.guitarcds.net/store/viewItem.asp?idProduct=555
Article : http://www.jazzservices.org.uk/band/1667.htm
& http://www.abstractlogix.com/features_view.php?idno=58
& http://www.hi-arts.co.uk/sept03_feature04.htm
Other reviews  : -
DoRec.  Rosae by Eva & Enrico Rosa : The Incredible Journey (I/DK,2006)****'

Rosae is classically-trained flutist Eva Rosa and the multi-styled acoustic guitarist Enrico Rosa (former band leader of Campo Di Marte, -who made one symphonic/Progressive album which is also one of my top 10 albums from ‘70’s Italy-). For this album the guitar styles lead skilfully and with emotional strength, flowing from one style to the next, mostly blending the styles varying from Renaissance classical music to jazzfusion guitar, jazz and folkrock towards some passionate improvisation (just hear the breaths and vocal humming enthusiasm on “Classical Path”). This is accompanied by flutes, which on its turn go from classical (Baroque) folk, to a Flute & Voice type of half-jazz, also rather "progressive" improvisation. Two times Eva used the odd sounds of a wind synthesiser instead of flutes. It is an extremely pleasant and sophisticated album, which tensions built up and provides something which for me recalls very much an area which was also followed by the German ‘Krautrock’-related Fusion duo Flute and Voice.

After many listens and sinking deeper into the whole range the music presents, I began to consider this album as a 'classic'.

Audio : "Open Doors", "Black Cat", "Rock Barock"
Homepage : http://www.rosae.dk/ with album info : http://www.rosae.dk/Albums.htm
German reviews : http://www.jazzdimensions.de/reviews/others/2006/rosae_incredible.html
& http://www.musikansich.de/review.php?id=3401

N : Karl Seglem (4 releases), Streif, JAP : Shunsuke Mizono,
FIN : Hepa Halme Prospekt, DK : John Sund & The Acoustic Sense,
I / DK: Rosae (Eva & Enrico Rosa), D : Hands On Strings,
B : Didier François & Alicantes, UK : Scottish Guitar Quartet,